Prioritising feeling over perfectionism. This is the credo that drives the restless creativity of multi-instrumentalist, rapper and producer Alfa Mist, who will perform at MeetFactory on February 7, 2026.
Tickets on sale from September 10, 10:00, at GoOut: https://goout.net/cs/alfa-mist/szjphyx/.
Continuing to evolve his creative vision, Alfa Mist has announced his new album, Roulette, out 3rd October on his own label, Sekito Records. Roulette is a sci-fi concept album set in a dystopian near-future where reincarnation is a scientifically proven fact. Conceived, written and produced by Alfa, the record features New York rapper Homeboy Sandman, British soul star Tawiah, and vocalist and multi-instrumentalist Kaya Thomas-Dyke.
Since the release of his first full-length project Nocturne in 2015, Alfa has established himself as one of the UK’s most focused, in-demand and distinct musical voices. He has worked with the likes of Jordan Rakei and Tom Misch. Artists look to him for his unique blend of intimate bedroom production and expansive jazz group orchestration, since Alfa is yet to be boxed into a specific genre. His music spans everything from hip-hop beat-making to producing for artists such as rapper Loyle Carner, composing neo-classical works for the London Contemporary Orchestra, and reworking tracks from composer Ólafur Arnalds and pioneering jazz label Blue Note.
Growing up in east London, Alfa’s journey to jazz was an unexpected one. “There’s no access to jazz where I come from,” he says. “Society made us think that there were only three options for success for Black kids who had the same amount of money as me: be a musician, sportsperson or criminal.” Naturally drawn to music thanks to the vitality of the grime scene that was breaking across the capital, Alfa would play with music production software during his break times at school, learning to put together fast-paced grime instrumentals. As he dug deeper into UK rap and hip-hop, he became curious about the samples used on records by the likes of Blackstar, Madlib and J Dilla. “Those producers were the gateway to jazz,” he comments. They ultimately led him to teach himself piano by ear to break down the harmonic intricacies of their formative tracks.